Sculpture, 2021
86*48*6 inches, Wood and inkjet printing
I keep asking myself what the image of history is.
Photography as a recording tool is widely used in literature and academic research. Photography is regarded as a neutral existence in these documents. Although this is out of a rational consideration, these photography still cannot get rid of certain aesthetic elements and narratives.
The Schuylkill River is an important river that flows through Pennsylvania. Along the coast is the important coal and industrial area in the history of the United States. It is also the seat of the indigenous Lenape Indian tribe. In my project, I traveled along the Schuylkill River, from King of Prussia to where this tributary meets the Delaware River, echoing the form of documentary photography, recording the hydrology, vegetation, and settlements along the coastline. I used water as a linear symbol to counter the temporality of the landscape. By deconstructing the narratives and aesthetic properties of these spaces, I searched for images that could allow people to identify and empathize with the place, beyond the obvious storytelling that photography can provide.
08/2020-02/2021
Balloons are full but fragile, and they fluctuate as easily as people’s emotions.
Sometimes it’s static, sometimes it’s erratic. Floating balloons are a metaphor for people’s situation in soci- ety. People find their place in life, but they have to be influenced by the outside world. Once separated from the group, the balloon flying into the sky is not facing freedom, but the explosion after it can not bear its own expansion.
Since I was born, China has been developing rapidly. Great economic progress is like a lasting binge. However, the excessive pursuit of speed has created many problems. Just as there are many huge abandoned buildings in China, the things people leave behind in the buildings are traces of time. They are not only witnesses of the rapid development of China’s economy, but also a mirror of greed.
Abandoned shops, restaurants and cinemas are filled with buildings in Guang- zhou, the largest city in southern China. There used to be the aspiration of nearby villagers for a better life, but now there are only broken walls and ruins. The objects and ruins left behind by people radiate a strange atmosphere. This abandoned shopping mall is a huge theater of absurdity. Time is the best director.