Portfolio
2023年1月5日

 

The Ninth Wave
2021年9月25日

Sculpture, 2021

86*48*6 inches, Wood and inkjet printing

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Sahasrabhuja
2021年9月25日

Sculpture, 2021

about 48*48*56 inches, Steel

This sculpture is funded by the Sachs Program for Arts Innovation

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测试
2021年9月1日

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Whose Dream? Your Dream? II
Sculpture, 2021. 9 by 15 inches.
Resin and peach paint.

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Whose Dream? Your Dream?
2021年7月4日
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Whose Dream? Your Dream? I
Sculpture, 2021. 8 by 12 inches.
Resin and metallic paint.

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Whose Dream? Your Dream? II
Sculpture, 2021. 9 by 15 inches.
Resin and paint.

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March On
2021年7月4日

March On

Sculpture, 2021. About 6 by 6 feet

Crowd control tool used
by the Chinese Police System
(steel reproduction) and chandelier

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The Schuylkill River
2020年12月18日

I keep asking myself what the image of history is.

Photography as a recording tool is widely used in literature and academic research. Photography is regarded as a neutral existence in these documents. Although this is out of a rational consideration, these photography still cannot get rid of certain aesthetic elements and narratives.

The Schuylkill River is an important river that flows through Pennsylvania. Along the coast is the important coal and industrial area in the history of the United States. It is also the seat of the indigenous Lenape Indian tribe. In my project, I traveled along the Schuylkill River, from King of Prussia to where this tributary meets the Delaware River, echoing the form of documentary photography, recording the hydrology, vegetation, and settlements along the coastline. I used water as a linear symbol to counter the temporality of the landscape. By deconstructing the narratives and aesthetic properties of these spaces, I searched for images that could allow people to identify and empathize with the place, beyond the obvious storytelling that photography can provide.

08/2020-02/2021

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I Am Not The Only One
2020年9月4日
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I Am Not The Only One
Cotton thread, inkjet print on canvas, 2020

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Untitled
Digital photography, 2019

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Untitled
Digital photography, 2019

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Untitled
Digital photography, 2019

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Mom, I Am Blushing
Cotton thread, inkjet print on canvas, 2020

The Balloon
2020年9月3日

Balloons are full but fragile, and they fluctuate as easily as people’s emotions.

Sometimes it’s static, sometimes it’s erratic. Floating balloons are a metaphor for people’s situation in soci- ety. People find their place in life, but they have to be influenced by the outside world. Once separated from the group, the balloon flying into the sky is not facing freedom, but the explosion after it can not bear its own expansion.

 

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A Stranger in Unfamiliar Land
Digital Photography, 2018

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Untitled
Digital Photography, 2018

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I Can See You Floating in the Air
Digital Photography, 2018

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Untitled
Digital Photography, 2018

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Untitled
Digital Photography, 2018

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Between Us
Digital Photography, 2018

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Untitled
Digital Photography, 2018

After The Binge
2020年8月31日

Since I was born, China has been developing rapidly. Great economic progress is like a lasting binge. However, the excessive pursuit of speed has created many problems. Just as there are many huge abandoned buildings in China, the things people leave behind in the buildings are traces of time. They are not only witnesses of the rapid development of China’s economy, but also a mirror of greed.

Abandoned shops, restaurants and cinemas are filled with buildings in Guang- zhou, the largest city in southern China. There used to be the aspiration of nearby villagers for a better life, but now there are only broken walls and ruins. The objects and ruins left behind by people radiate a strange atmosphere. This abandoned shopping mall is a huge theater of absurdity. Time is the best director.

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The Hands Touching Memory
Digital Photography, 2018

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The Show Is On
Digital Photography, 2018

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Alice’s Cave
Digital Photography, 2018

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A Gorgeous Hall
Digital Photography, 2018

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Untitled
Digital Photography, 2018

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Fancy House
Digital Photography, 2018

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“I swam in the subtle fragrance drag, accompanied by the lonely soul of a chaotic dancer.”
Digital Photography, 2018

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An Absent Super Model
Digital Photography, 2018